CHAPTER 3:
preserving tradition
WEST POINT
Ole Country
Late afternoon sun falls on the front porch of the Grand Ole Country Music Hall and bounces into the ticket stall which awaits the Saturday crowd. Inside, instruments are tuned and microphones are checked as the home band takes the stage to prepare for the evening show, something the stage hadn’t seen for years before the reopening of the previously titled “Music Ranch” six months prior.
Country music lovers converse and mill about in the lobby of Grand Ole Country Music Hall before the start of the Saturday night show.
Singer Christian Tobbe and Elvis impersonator Todd Bodenheimer wait for their sets backstage the Grand Ole Country Music Show in West Point, Kentucky on Saturday night.
Every Friday and Saturday night, the Grand Ole Country Music Hall brings country music lovers the show they deserve. With a house band to beat and a constantly rotating cast of performers, each show is a special treat that can only be lived once. Not only do they cover their usual country singers with local singer Larry Sander and young upstart Christian Tobbe, but the music hall also brings a unique cast of characters to their stage, such as Elvis impersonator Todd Bodenheimer.
World renowned for his ability to become the beloved late-performer, Bodenheimer has perfected his look and mannerisms to reflect Elvis Presley. When he takes the stage, older eyes in the crowd light up in recognition, and everyone enjoys his energetic covers of Elvis’ classics, many even singing along.
Without fail, the show goes on; the dedication Grand Ole Country Music Hall has to the music lovers of the West Point community shows through every set. The music hall puts on a show every Friday and Saturday with no plans to stop anytime soon.

Elvis impersonator Todd Bodenheimer puts on layers of makeup before the start of the show.
The audience enjoys the show in their own ways: some film with their phones to make the moment last longer while others sing along.
KOSMOSDALE
Abandoned and sparsely populated buildings grew along Dixie as the expansion of lanes brought a hastened pace to the road that drove out tight-knit communities.
In Kentucky’s 2021 overdose fatality report, an opioid was involved in 90% of all overdose deaths and fentanyl was detected in more than 70% of those cases not only in Kentucky, but nationwide.
The night sky glimmers through smog pouring from the smokestacks of the Kosmosdale Cement factory while a figure emerges from the dark. The shadow moves quietly across Highway 31W through the pools of artificial light cast from dim lamp posts. Just a few paces down the sidewalk, they pause, then contort. Back arching violently, arms clenched into their side with hands tensed like claws. Their mouth is agape with an empty scream emitting no sound. In the blink of an eye, they are back to their normal gait, shuffling down the sidewalk. Thirty paces away, they turn back to light a cigarette, the small warm flame piercing the night for a moment like the stars above. They then continue walking into the night until their distant silhouette disappears around a bend.

As tradition and small towns begin to fade moving north, urbanization takes over and in the eradication of small communities, it carries an invisible but heavy companion: heavy drug usage. In all directions, when asking many locals about the development of 31W, the topic of drugs will inevitably come up. Fentanyl and other opioids are the most prominent drug of choice, followed closely by heroin, meth, and cocaine. Just last year, Louisville DEA agents, working with the Jeffersontown Police Department, intercepted 30 kilograms of cocaine and one kilogram of Fentanyl. Drugs and the overdoses they induce are ever-present in the abandoned spaces along the highway, especially leading into Louisville.

LOUISVILLE
Caufield's
Tracy Caufield-Johnson (above) runs the century-old family business with her brother, Kerry Caufield.
Kerry and Tracy Caufield, a sibling duo, carry on the legacy of their grandfather Keran S Caufield through the family business. Caufield Sr. was an Irish Immigrant who opened a photography studio in 1915. When Keran’s son, Kerry and Tracy’s father, was involved in an automobile accident, the family received an insurance settlement. After paying the medical bills, they used the leftover $25 to purchase novelty merchandise to amuse the customers as they waited for their tintype photographs to develop. The studio began to sell these items upon demand and eventually selling the curios brought in more money than the photography. When the photography studio closed for good, Caufield’s Novelties was born in its place in 1920.
“I always say photography stores in the early 1900s are kind of like video stores in the 80s,” said Tracy. “They were everywhere.”
Caufield’s Novelty has always been unique. Throughout the Great Depression the storefront persevered and the inexpensive jokes and magic tricks became a light in a dark time. Caufields is now one of the oldest and largest theatrical distributors in the country and competes with a growing market of online sellers by shipping nationwide and overseas. Despite the competition with an increase in online sellers, Caufields is here to stay. “I think you have to do a little something extra these days so you are a place that people want to come to instead of sitting on their computer and ordering,” said Tracy. And at Caufields Novelty, there’s never a shortage of a little something extra.

A wall of wigs spans a section of the store, offering any look one might need for a costume.
A mother and her two sons run across the street towards Caufields Novelty.

The road continues on over the Ohio River and runs across 2nd Street Bridge. More stories, more traditions and more communities exist along Highway 31W as it continues through the winding roads of Indiana north to Michigan reaching to Mackinaw City.
But as the sun sets on Kentucky, the goldenrods will wait.


Second Street Bridge at sunset.
Project By Anna Leachman and Gabi Broekema
Video edited by Gabi Broekema
Visuals and words by both

A Special Thank you to:
Kara Brunot
Amy Ellis
Paul Urbahns
And all the communities along the road who let us into their lives.